Three seat sofa with hardwood frame covered with expanded foam. Down mattress and cushions. Upholstery in leather or fabric. Side cases in wood lacquered in black polyester polished to a high gloss finish.

The turning-point of Eileen Gray’s formal and expressive languages is generally considered the work that the fashion designer Suzanne Talbot, pseudonym of Madame Mathieu Lévy, commissioned her for the Parisian apartment in Rue de Lota. Beginning from this project indeed, her new and more austere language took progressively shape and emancipated her from the Deco.